Adam Smith embraces the non-traditional explorations of sound with admiration for the wild aesthetics of controlled dissonance and the capturing and taming of errant frequencies. Thirteen years of experimental knowledge and self taught space-bar manipulation give way to a malleable experience with a dude that just loves to make noise.
Though a self proclaimed fuzz-box junkie and an avid analog delay enthusiast, Adam is not opposed to (and actually is widely accepting of) the digital age. He has expertise in ProTools, Cubase, Reason, FruityLoops and can edit a wave file like he can Julienne potatoes. The studio is your oyster and Adam is a shucker for good music.